One-on-One Editing

I offer private editing for writers of fiction and creative nonfiction. If you would like my assistance with a novel, a collection of stories or creative nonfiction essays, a memoir, or a multi-genre work, I'd be happy to help.

For complete manuscripts, I'll give you a written critique that covers character, structure, point of view, plot and narrative tension, language, and any questions particular to your own work. I'll go through the manuscript, noting its strengths as well as areas for further development.

After the critique, we will have a follow-up phone call or video chat for brainstorming, conversation, and answering any questions you have. I'm also available for follow-up readings for sections of the rewritten manuscript or a complete revision. And because the contemporary publishing landscape has become so complex, I also offer assistance and information for navigating both traditional and self-publishing possibilities.

It's important for you to be happy with your editor. You can get a sense of how I work by sending me the first scene of your book, along with a description of your project and what kind of help you’re looking for. When you write to me, let me know any questions you might have about the process. I'll read all this and then respond with an overall sense of the passage's strengths, as well as ideas and questions for revision. I'll also include rates for a response to the complete manuscript. You can write to me at sarah(at)

Upcoming Classes

Stanford University offers an online creative writing program for adults through Continuing Studies that gives writers a chance to work in a strong, supportive community, deepening their fiction and learning more about both craft and process. I teach novel-writing and publishing in this program as well as courses in the Stanford Continuing Studies Online Certificate Program in Novel-Writing. I also teach in the MFA Program for Writers at Warren Wilson College.

My current class is an online fiction publishing course for Stanford. I occasionally teach these publishing courses to help novelists and storytellers find the match between their own particular gifts and the best available venues for their work. The class is currently full, but you can sign up for the wait list here. I will also be teaching an online novel-writing class for Stanford in September.

As a new writer of a debut novel, the idea of having an editor parse through my work was daunting. Sarah made the process as painless as possible, always emphasizing the positive while still ensuring that the manuscript was as good as it could be. She has that rare ability to inspire confidence through what can be a difficult process. At the same time, she taught be how to be a better writer. My manuscript was much improved by her contribution.
— Julia York
Sarah Stone is a wonderful writer and a generous reader of other people’s work. She reads thoughtfully, with insight, and I always understand my work better after hearing from her.
— Cornelia Nixon, author of Jarrettsville and The Uses of Fame
Sarah approaches your work with a combination of great intellect and open heart. She is a thorough, thoughtful reader whose suggestions for revision are never heavy-handed. Rather, she gives the kind of direction that allows you to find your own path, always respecting the integrity of your voice and your story. Genius!
— Michelle Anderson
Sarah Stone is among the most insightful and generous readers I’ve ever encountered. From the level of the sentence to the manuscript as a whole, she articulates exactly what a writer most needs to hear. I can’t imagine publishing anything without first showing it to her and receiving her brilliant feedback.
— Ann Packer, author of Swim Back to Me and The Children’s Crusade
Sarah Stone is an extraordinarily accomplished author, as anyone who’s read her novel, The True Sources of the Nile, can attest. She is also a brilliant, experienced teacher, with the ability to suggest a variety of approaches to the development of character, plot and structure as well as language and style. I’ve been fortunate to have her read and respond to most of the stories included in my first book, and she read my second book, a novel, in at least three different drafts, providing me the feedback and encouragement to press on with new perspective. I enthusiastically recommend Sarah to beginning, intermediate and advanced writers at any stage of their novels or short stories.
— Angela Pneuman, author of Home Remedies and Lay It On My Heart
Working with Sarah Stone transformed my writing. I always felt as though Sarah, an incredibly generous reader, cared about my characters as if they were her next-door neighbors. Deeply curious, she would go to the depths in thinking about their lives within the story, what this moment meant for them, and what motivated them. My stories returned with margin notes that praised interesting moments, phrases, suggested compression, and the kinds of questions that pushed my writing to the next level. In a way that I hadn’t experienced for some time, I saw that Sarah believed deeply in my writing and that she would challenge me to come closer to and explore those truths that fueled it.
— Adrienne Perry
I came to Sarah with a strong sense of what I wanted from my stories. Sarah read them on their own terms and highlighted where the craft could be improved so that the writing elicited the right emotional responses from my readers. Through her guidance I learned to refine my craft techniques and sharpen my sentences; she allowed my stories to breathe and flourish. My scenes and dialogue became more complex and the tension in those moments rose. In a sense Sarah taught me to make my stories into the journey I wanted them to be for my readers.
— Somayeh Shams
I have had the great fortune to get Sarah Stone’s feedback on my writing for many years, and I always come away from her reading with brilliant notes that give me enthusiasm to dig in to the work again. Sarah is that rare editor: someone who gets inside another writer’s project, really trying to see it for what it is, for what it wants to be, without trying to change its peculiar essence. Her reading is always ‘for’ the work, but it’s also very rigorous. Anyone who is lucky enough to get her editorial input will be sure that she will not ignore failures of nerve or missed chances for complexity and depth. Nevertheless, she delivers her opinions in a way that makes the problems seem clear and solvable. She is widely read—from mainstream to experimental fiction, from literary to genre novels—and she brings her knowledge to the discussion to suggest works that might inspire or inform the project. Sarah is a trusted, sensitive, experienced reader. You would be lucky to have her in your corner.
— Lisa Michaels, author of Split and Grand Ambition